Doruntina Kastrati (b. 1991, Prizren, Kosova) is an artist working mainly across sculpture, installation, sound and movie images. Through her practice, Doruntina researches and focuses on the body and its relationship to biopolitical power. Specifically, she directs one’s attention to social and political issues of labor in the global context. In 2014, she was awarded the Young Visual Artist Award from the National Gallery of Kosovo, and she won the Hajde x 6 Award from the Hajde Foundation in 2017. She was a resident at the International Studio and Curatorial Program (ISCP) in New York in 2015, a resident at Art House in Shkodra in 2018 and at Initiators in Athens in 2018. Her work was recently shown at Sharjah Biennial, Sharjah (2025); Manifesta 14, Pristina (2022); “Life without buildings” at ETH Zurich, Zurich (2022), Autostrada Biennale, Prizren (2021); ChertLüdde, Berlin (2021); “Bigger than Myself – Heroic Voices from ex Yugoslavia”, MAXXI Museum,Rome (2021); “Not Fully Human, Not Human at All” at Kadist Foundation, Paris (2021); “Tirana Patience”, National Gallery of Arts in Tirana (2020); “Public Heroes and Secrets”, The National Museum of Kosovo (2020), among others. She represented the Kosovo Pavilion with a new sculptural and audio installation titled “The Echoing Silences of Metal and Skin,” for which she earned a Special Mention for National Participation at the 60th Venice Biennale.